Online-Diskussion: Digitale Formate im Jungen Theater

Array
(
    [0] => 1
    [1] => 1
    [2] => 1
    [3] => 1
    [4] => 3
    [5] => 3
    [6] => 5
    [7] => 5
    [8] => 7
    [9] => 8
    [10] => 8
    [11] => 9
    [12] => 9
    [13] => 11
    [14] => 13
    [15] => 15
    [16] => 15
    [17] => 18
    [18] => 24
    [19] => 26
    [20] => 26
    [21] => 29
    [22] => 29
    [23] => 30
    [24] => 30
    [25] => 31
    [26] => 31
    [27] => 33
    [28] => 34
    [29] => 84
    [30] => 84
    [31] => 84
    [32] => 84
    [33] => 84
    [34] => 84
    [35] => 84
    [36] => 84
    [37] => 85
    [38] => 85
    [39] => 85
    [40] => 85
    [41] => 85
    [42] => 85
    [43] => 85
    [44] => 85
    [45] => 86
    [46] => 86
    [47] => 86
    [48] => 86
    [49] => 86
    [50] => 86
    [51] => 86
    [52] => 86
    [53] => 87
    [54] => 87
    [55] => 87
    [56] => 87
    [57] => 87
    [58] => 87
    [59] => 87
    [60] => 87
    [61] => 88
    [62] => 88
    [63] => 88
    [64] => 88
    [65] => 88
    [66] => 88
    [67] => 88
    [68] => 88
    [69] => 89
    [70] => 89
    [71] => 89
    [72] => 89
    [73] => 89
    [74] => 89
    [75] => 89
    [76] => 89
    [77] => 90
    [78] => 90
    [79] => 90
    [80] => 90
    [81] => 90
    [82] => 90
    [83] => 90
    [84] => 90
    [85] => 91
    [86] => 91
    [87] => 91
    [88] => 91
    [89] => 91
    [90] => 91
    [91] => 91
    [92] => 91
)

nachtkritik unterstützen

Dienstag, 5. Juli 2022

Digital & Interaktiv

9. Juni 2022. Funktionieren digitale Theaterformate für junges Publikum besonders gut? Was haben Theater, Regisseur:innen und freie Gruppen in den vergangenen zwei Jahren ausprobiert? Was waren Best-Practice-Cases? Zum Abschluss des Themenschwerpunkts zu interaktiven Digitalformaten im Jungen Theater diskutierten Hannah Biedermann (pulk fiktion), Anna Fries (Henrike Iglesias) und Florian Heller (Theater der Jungen Welt Leipzig) mit Elena Philipp (nachtkritik.de).

Zum Mitschnitt auf nachtkritik.plus >